{"id":1683,"date":"2020-02-17T18:16:14","date_gmt":"2020-02-17T18:16:14","guid":{"rendered":"https:\/\/galapagos.raed.academy\/?page_id=1683"},"modified":"2020-02-17T18:37:17","modified_gmt":"2020-02-17T18:37:17","slug":"jorge-carrion","status":"publish","type":"page","link":"https:\/\/galapagos.raed.academy\/en\/jorge-carrion\/","title":{"rendered":"Jorge Carri\u00f3n"},"content":{"rendered":"

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Jorge Carri\u00f3n<\/h1>\n

Writer, Director of the Master in Literary Creation UPF<\/h3>\n

Jorge Carri\u00f3n has a doctorate in humanities from the Pompeu i Fabra University, Barcelona, and directs the Master in Literary Creation of the same institution. He has lived in Buenos Aires, Rosario and Chicago.\u00a0<\/span><\/p>\n

Carri\u00f3n has published in several newspapers and magazines such as El Pa\u00eds, La Vanguardia and Letras Libres. He is the author of a fictional tetralogy (including The Dead, The Orphans, The Tourists and The Deceased) and is also the author of several non-fiction books, such as Australia. A trip, Teleshakespeare and Bookstores. He was curator of the exhibition The Sebald Variations, at the Center of Contemporary Culture of Barcelona<\/span>(CCCB). His work has been translated into Chinese, Portuguese, Italian, German, French, Polish and English.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/galapagos.raed.academy\/wp-content\/uploads\/2020\/02\/Jordi-Carrion-PhPedro-Madue\u00f1o-foto-cedida-por-QuoArtis-620x600px.jpg” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”3.29.3″][\/et_pb_image][et_pb_social_media_follow _builder_version=”3.29.3″ custom_margin=”130px|||20%” custom_margin_tablet=”-70px|||” custom_margin_phone=”1vw||1vw|2vw|true” custom_margin_last_edited=”off|desktop” custom_padding=”|||” animation_style=”slide” animation_direction=”left” animation_delay=”200ms” animation_speed_curve=”ease-out” border_radii=”on|0px|0px|0px|0px” locked=”off”][et_pb_social_media_follow_network social_network=”twitter” url=”https:\/\/twitter.com\/jorgecarrion21″ _builder_version=”3.29.3″ background_color=”#bbada1″ background_enable_color=”on” custom_margin=”|0px||0px||true” custom_padding=”10px|10px|10px|10px|true|true” follow_button=”off” url_new_window=”on”]twitter[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”instagram” url=”https:\/\/www.instagram.com\/jorgecarrion21\/” _builder_version=”3.29.3″ background_color=”rgba(187,173,161,0.9)” background_enable_color=”on” custom_margin=”|0px||0px||true” custom_padding=”10px|10px|10px|10px|true|true” follow_button=”off” url_new_window=”on”]instagram[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=”youtube” url=”https:\/\/www.youtube.com\/channel\/UCL22THS-Weag-dBc-IyQH7Q” _builder_version=”3.29.3″ background_color=”rgba(187,173,161,0.8)” background_enable_color=”on” custom_margin=”|0px||0px||true” custom_padding=”10px|10px|10px|10px|true|true” follow_button=”off” url_new_window=”on”]youtube[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” _builder_version=”3.22″][et_pb_row column_structure=”3_5,2_5″ _builder_version=”3.25″][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_divider color=”#393e56″ divider_position=”center” divider_weight=”3px” _builder_version=”3.12.1″ max_width=”60px” height=”3px” custom_margin=”||10px|” locked=”off”][\/et_pb_divider][et_pb_text _builder_version=”4.3.1″ header_font=”||||||||” header_2_font=”Ubuntu|700|||||||” header_2_font_size=”42px” header_2_line_height=”1.2em” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”28px” header_2_font_size_last_edited=”on|phone” locked=”off”]<\/p>\n

Jorge Carri\u00f3n (Spain, 1976)<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=”4.3.1″ text_font=”||||||||” text_line_height=”2em” hover_enabled=”0″ text_font_size_tablet=”” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” locked=”off”]<\/p>\n

Writer and literary critic. He has a degree and a Phd in Humanities from the Pompeu Fabra University of Barcelona. He directs, with Jos\u00e9 Mar\u00eda Mic\u00f3<\/strong>, the BSM-UPF Master in Literary Creation, and was a cultural critic for The New York Times in Spanish. In November 2019, he returned to his Sunday column on the main website of The New York Times. He is the author of numerous books ranging from novel to essay, comic and travel literature. Highlights include Los Muertos (Literatura Mondadori, 2010), a novel awarded by the Chamb\u00e9ry Festival in France and translated into Italian, a novel literary artifact that brings the novel\u2019s genre into dialogue with the television series (part of a tetralogy completed by Los Hu\u00e9rfanos, 2014, Los Turistas, 2015, and Los Difuntos, 2015). And Librer\u00edas (Anagrama, 2013), a cultural history and a tour of the world that was a finalist for the Anagrama de Ensayo award and has been translated into more than ten languages. He has published cultural criticism in the supplements of the newspapers Avui, ABC,Perfil, Clar\u00edn and La Vanguardia. His articles and reports have appeared in Letras Libres, National Geographic Viajes, Otra Parte, Revista de Occidente, E\u00f1e and Lonely Planet Magazine, Revista Anfibia, among other Hispanic American media. He has been included in literary anthologies from Mexico, Spain, Germany, Cuba and Argentina. He directed the Lo Real collection of Malpaso publishing house, between 2015 and 2017, where he published books by Mart\u00edn Caparr\u00f3s, Gabriela Wiener, Alfonso Armada, Lapin, Omer Bartov<\/strong>, among others.<\/p>\n

 <\/p>\n

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Short Story<\/h3>\n
    \n
  • Los difuntos (Illustrated by Celsius Pictor) (Aristas Mart\u00ednez, 2015)<\/li>\n
  • Ene (Laia Libros, 2001)<\/li>\n<\/ul>\n

    Chronicles and essay<\/h3>\n
      \n
    • La br\u00fajula (Berenice, 2006)<\/li>\n
    • GR-83 (edici\u00f3n de autor, 2007)<\/li>\n
    • Australia. Un viaje (Berenice, 2008)<\/li>\n
    • La piel de La Boca (Libros del Zorzal, Argentina, 2008)<\/li>\n
    • Cr\u00f3nica de viaje (Aristas Mart\u00ednez, 2014), (autor edition, 2009)<\/li>\n
    • Norte es Sur. Cr\u00f3nicas americanas (Debate Venezuela, 2009) Anthology of Chronicles on Latin America from previous books.<\/li>\n
    • Viaje contra Espacio. Juan Goytisolo y W.G. Sebald (Iberoamericana, 2009). Essay linked to his travel literature books.<\/li>\n
    • Teleshakespeare (Errata Naturae, 2011). Essay linked to his novel Los muertos.<\/li>\n
    • Librer\u00edas (Finalist Premio Anagrama de Ensayo, 2013. Argentina: Anagrama 2013. Canada: Biblioasis. China: SDX. France: Seuil 2016. Greece: Potamos. Italy: Garzanti 2015. Japan: Hakusuisha. Korea: Yibom. Mexico: Anagrama 2013. Poland: Noir sur Blanc 2017. Portugal: Quetzal 2017. Russia: Ad Marginem. Slovenia: Cankarjeva Zalozba. Sweden: Storyside. UK: MacLehose Press 2016)<\/li>\n
    • Barcelona. Libro de los pasajes (Spanish edition, Galaxia Gutenberg, 2017. Catalan edition de Galaxia Gutenberg, trad. by Maria Llopis)<\/li>\n
    • Contra Amazon (In Spanish edition, Galaxia Gutenberg, 2019).<\/li>\n<\/ul>\n

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      Jorge Carri\u00f3n Writer, Director of the Master in Literary Creation UPF Jorge Carri\u00f3n has a doctorate in humanities from the Pompeu i Fabra University, Barcelona, and directs the Master in Literary Creation of the same institution. He has lived in Buenos Aires, Rosario and Chicago.\u00a0 Carri\u00f3n has published in several newspapers and magazines such as […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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      Jorge Carri\u00f3n<\/h1>

      Escritor, Director del M\u00e1ster en Creaci\u00f3n Literaria UPF<\/h3>

      Jorge Carri\u00f3n tiene un doctorado en humanidades de la Universidad Pompeu i Fabra, Barcelona, y dirige el M\u00e1ster en Creaci\u00f3n Literaria de la misma instituci\u00f3n. Ha vivido en Buenos Aires, Rosario y Chicago.<\/p>

      Ha publicado en varios peri\u00f3dicos y revistas como El Pa\u00eds, La Vanguardia y Letras Libres. Es autor de una tetralog\u00eda de ficci\u00f3n (que incluye Los muertos, Los hu\u00e9rfanos, Los turistas y Los difuntos) y tambi\u00e9n es autor de varios libros de no ficci\u00f3n, como Australia. Un viaje, Teleshakespeare y Librer\u00edas. Fue curador de la exposici\u00f3n Las variaciones Sebald, en el Centre de Cultura Contempor\u00e0nia de Barcelona (CCCB). Su trabajo ha sido traducido al chino, portugu\u00e9s, italiano, alem\u00e1n, franc\u00e9s, polaco e ingl\u00e9s.<\/p>

      [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"3.25\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_image src=\"https:\/\/galapagos.raed.academy\/wp-content\/uploads\/2020\/02\/Jordi-Carrion-PhPedro-Madue\u00f1o-foto-cedida-por-QuoArtis-620x600px.jpg\" force_fullwidth=\"on\" align_tablet=\"center\" align_phone=\"\" align_last_edited=\"on|desktop\" _builder_version=\"3.29.3\"][\/et_pb_image][et_pb_social_media_follow _builder_version=\"3.29.3\" custom_margin=\"130px|||20%\" custom_margin_tablet=\"-70px|||\" custom_margin_phone=\"1vw||1vw|2vw|true\" custom_margin_last_edited=\"off|desktop\" custom_padding=\"|||\" animation_style=\"slide\" animation_direction=\"left\" animation_delay=\"200ms\" animation_speed_curve=\"ease-out\" border_radii=\"on|0px|0px|0px|0px\" locked=\"off\"][et_pb_social_media_follow_network social_network=\"twitter\" url=\"https:\/\/twitter.com\/jorgecarrion21\" _builder_version=\"3.29.3\" background_color=\"#bbada1\" background_enable_color=\"on\" custom_margin=\"|0px||0px||true\" custom_padding=\"10px|10px|10px|10px|true|true\" follow_button=\"off\" url_new_window=\"on\"]twitter[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=\"instagram\" url=\"https:\/\/www.instagram.com\/jorgecarrion21\/\" _builder_version=\"3.29.3\" background_color=\"rgba(187,173,161,0.9)\" background_enable_color=\"on\" custom_margin=\"|0px||0px||true\" custom_padding=\"10px|10px|10px|10px|true|true\" follow_button=\"off\" url_new_window=\"on\"]instagram[\/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network=\"youtube\" url=\"https:\/\/www.youtube.com\/channel\/UCL22THS-Weag-dBc-IyQH7Q\" _builder_version=\"3.29.3\" background_color=\"rgba(187,173,161,0.8)\" background_enable_color=\"on\" custom_margin=\"|0px||0px||true\" custom_padding=\"10px|10px|10px|10px|true|true\" follow_button=\"off\" url_new_window=\"on\"]youtube[\/et_pb_social_media_follow_network][\/et_pb_social_media_follow][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\"1\" admin_label=\"About\" _builder_version=\"3.22\"][et_pb_row column_structure=\"3_5,2_5\" _builder_version=\"3.25\"][et_pb_column type=\"3_5\" _builder_version=\"3.25\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_divider color=\"#393e56\" divider_position=\"center\" divider_weight=\"3px\" _builder_version=\"3.12.1\" max_width=\"60px\" height=\"3px\" custom_margin=\"||10px|\" locked=\"off\"][\/et_pb_divider][et_pb_text _builder_version=\"3.29.3\" header_font=\"||||||||\" header_2_font=\"Ubuntu|700|||||||\" header_2_font_size=\"42px\" header_2_line_height=\"1.2em\" header_2_font_size_tablet=\"\" header_2_font_size_phone=\"28px\" header_2_font_size_last_edited=\"on|phone\" locked=\"off\"]<\/p>

      Jorge Carri\u00f3n (Espa\u00f1a, 1976)<\/h2>

      [\/et_pb_text][et_pb_text _builder_version=\"4.3.1\" text_font=\"||||||||\" text_line_height=\"2em\" hover_enabled=\"0\" text_font_size_tablet=\"\" text_font_size_phone=\"14px\" text_font_size_last_edited=\"on|phone\" locked=\"off\"]<\/p>

      Escritor y cr\u00edtico literario. Es Licenciado y doctor en Humanidades por la Universidad Pompeu Fabra de Barcelona. Dirige, con Jos\u00e9 Mar\u00eda Mic\u00f3<\/strong>, el M\u00e1ster en Creaci\u00f3n Literaria de la BSM-UPF, y fue cr\u00edtico cultural para The New York Times en espa\u00f1ol. En noviembre de 2019, vuelve a su columna dominical en la web principal de The New York Times. Es autor de numerosos libros que van desde la novela hasta el ensayo, el c\u00f3mic y la literatura de viajes. Destacan Los Muertos (Literatura Mondadori, 2010), novela galardonada por el Festival de Chamb\u00e9ry en Francia y traducida al italiano, un novedoso artefacto literario que pone en di\u00e1logo el g\u00e9nero de la novela con las series de televisi\u00f3n (parte de una tetralog\u00eda que completaron Los hu\u00e9rfanos, 2014, Los turistas, 2015, y Los Difuntos, 2015). Y Librer\u00edas (Anagrama, 2013), una historia cultural y una vuelta al mundo que fue finalista del premio Anagrama de Ensayo y ha sido traducida a m\u00e1s de diez idiomas. Ha publicado cr\u00edtica cultural en los suplementos de los diarios Avui, ABC,
      Perfil, Clar\u00edn y La Vanguardia. Sus art\u00edculos y reportajes han aparecido en Letras Libres, National Geographic Viajes, Otra Parte, Revista de Occidente, E\u00f1e y Lonely Planet Magazine, Revista Anfibia, entre otros medios hispanoamericanos. Ha sido incluido en antolog\u00edas literarias de M\u00e9xico, Espa\u00f1a, Alemania, Cuba y Argentina. Dirigi\u00f3 la colecci\u00f3n Lo Real de la editorial Malpaso, entre 2015 y 2017, donde public\u00f3 libros de Mart\u00edn Caparr\u00f3s<\/strong>, Gabriela Wiener<\/strong>, Alfonso Armada<\/strong>, Lapin<\/strong>, Omer Bartov<\/strong>, entre otros autores.<\/p>

      [\/et_pb_text][\/et_pb_column][et_pb_column type=\"2_5\" _builder_version=\"3.25\" custom_padding=\"100px|||\" custom_padding_tablet=\"20px|||\" custom_padding_phone=\"\" custom_padding_last_edited=\"on|desktop\" padding_tablet=\"20px|||\" padding_last_edited=\"on|desktop\" custom_padding__hover=\"|||\"][et_pb_text ul_type=\"circle\" _builder_version=\"3.29.3\" text_font=\"||||||||\" ul_font=\"||||||||\" ul_line_height=\"2em\" ol_font=\"||||||||\" locked=\"off\"]<\/p>

      Novela corta<\/h3>
      • Los difuntos (Ilustrada por Celsius Pictor) (Aristas Mart\u00ednez, 2015)<\/li>
      • Ene (Laia Libros, 2001).<\/li><\/ul>

        Cr\u00f3nicas y ensayo<\/h3>
        • La br\u00fajula (Berenice, 2006)<\/li>
        • GR-83 (edici\u00f3n de autor, 2007)<\/li>
        • Australia. Un viaje (Berenice, 2008)<\/li>
        • La piel de La Boca (Libros del Zorzal, Argentina, 2008)<\/li>
        • Cr\u00f3nica de viaje (Aristas Mart\u00ednez, 2014), (edici\u00f3n de autor, 2009)<\/li>
        • Norte es Sur. Cr\u00f3nicas americanas (Debate Venezuela, 2009) Antolog\u00eda de cr\u00f3nicas sobre Am\u00e9rica Latina de libros anteriores.<\/li>
        • Viaje contra Espacio. Juan Goytisolo y W.G. Sebald (Iberoamericana, 2009). Ensayo vinculado con sus libros de literatura de viajes.<\/li>
        • Teleshakespeare (Errata Naturae, 2011). Ensayo vinculado con su novela Los muertos.<\/li>
        • Librer\u00edas (Finalista Premio Anagrama de Ensayo, 2013. Argentina: Anagrama 2013. Canada: Biblioasis. China: SDX. France: Seuil 2016. Greece: Potamos. Italy: Garzanti 2015. Japan: Hakusuisha. Korea: Yibom. Mexico: Anagrama 2013. Poland: Noir sur Blanc 2017. Portugal: Quetzal 2017. Russia: Ad Marginem. Slovenia: Cankarjeva Zalozba. Sweden: Storyside. UK: MacLehose Press 2016)<\/li>
        • Barcelona. Libro de los pasajes (En edici\u00f3n en castellano, Galaxia Gutenberg, 2017. Edici\u00f3n en catal\u00e1n de Galaxia Gutenberg, trad. de Maria Llopis)<\/li>
        • Contra Amazon (En edici\u00f3n en castellano, Galaxia Gutenberg, 2019.<\/li><\/ul>

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